A word about the quality of the North American Thebaid book, which we plan to publish in 2018:
One of the earliest and most important decisions I made when forming the North American Thebaid Project was to learn about the printing of fine photographic books, so that I could ensure an excellent finished product.
That search led me to a world-class printer with over thirty years in the trade, Four Colour Print Group, and its pre-press subsidiary, FCI Digital.
I should mention that Four Colour Print Group and George Dick came personally recommended by journalist Genevieve Lacer, who has done two fine art coffee table books with them, which I have personally inspected and found to be of the highest quality. (They were also the lowest of three book printing quotes I received!)
When I met with George Dick, President & CEO of Four Colour in February 2016, I took with me examples of award-winning coffee table books by photographers I admire and follow, as well as my own 2014 retrospective photography book, Pursuing the Light, and George and I analyzed and critiqued them.
One edition, a little over twenty years old now, by one of America’s finest landscape photographers, showed definite signs of the pages yellowing around the edges, and to George Dick’s trained eye, it was clear the paper choice was the cause, perhaps because this was still at the dawn of printing from recycled materials, and the paper had acid and/or lignin content, which causes it to lose its pure white lustre as it ages.
With that warning example, and many stand-out features of some premium volumes used as benchmarks, we outlined the specifications required to create a finished book of the highest quality and image reproduction, with archival longevity, and identified the following:*